Description

My name is Chirag Satsangi, I am a sophomore at UNCG. I've always been interested in photography, and this blog is about how the Internet has affected modern day photographs.

Monday, November 12, 2012

Internet Affecting Photography Video



I sat down with Margaret Ellis, a photographer at Rogue Productions in Raleigh, NC. She was happy to talk about how the Internet has affected modern day photography. I also interviewed aspiring photographers here at UNCG to get their perspectives as well. 
Don't Believe Me?
Watch as this woman is changed every way possible.


Not Real

Ask yourself, did they really burn the Mona Lisa? 

Heck no they did not! 

This is not called photography, this is called being good with a photoshop software. With a little cropping, adjusting around, and fake fire, you get this.

Thursday, November 8, 2012

Internet impact on Photographs

Peoples first instinct wouldn't think that the Internet could have an impact on photography, but it does in many ways. Thanks to Photoshop software, and many other online editing software, photography is not as pure as it used to be. Any high tech individual can take a horrible picture and edit it on a specific software to make it look amazing. 

Tuesday, November 6, 2012

Who the heck are you?

My name is Chirag Satsangi, I am a sophomore at UNCG majoring in Business Studies and Communication Studies. I have had a big passion for photography and film since I was young. I always thought it was amazing how you could tell so many stories in one photograph. The many angles you could do, the different lighting possibilities, and endless possibilities you could do with so little. I come from a huge family and many friends, therefore I do more portraits, however I would like to go into nature shots as well. I always preferred to be behind the camera then in front, so I have much experience with handling different objects, people, and scenarios. I have worked with a photographer for many years in the past, learning the ways of taking a picture, and how. Then I realized; there is no one way of taking a picture. A good photographer takes a photo from their own perspective, not from someone else's. A good photo is taking at a certain angle, with the right lighting, and the perfect pose. A great photo is taken from the eye of oneself.

Shutter Speed

Now let’s turn to shutter speed. Depending on the make and model, your camera may offer shutter speeds from a blazingly fast 1/8000s all the way down to 30 seconds. The shutter speed controls the amount of time that the volume of light coming through the lens (determined by the aperture) is allowed to stay on the film or digital media in the camera. The same halving and doubling principle that applies to aperture also applies to shutter speed.
Let me explain. Set the shutter speed control on your camera to 500. This number denotes a fraction—500 represents 1/500 second. Now change from 500 to 250; again, this represents 1/250s. From 1/250s you go to 1/125, 1/60, 1/30, 1/15, and so on. Whether you change from 1/30s to 1/60s (decreasing the time the light stays on the film/digital media) or from 1/60s to 1/30s (increasing the time the light stays on the film/digital media), you’ve shifted a full stop. Again this is important to note since many cameras today also offer the ability to set the shutter speed to one-third stops: 1/500s, 1/400s, 1/320s, 1/250s, 1/200s, 1/160s, 1/125s, 1/100s, 1/80s, 1/60s, and so on. (Again, the underlined numbers represent the original, basic stops while the others are the newer one-third options sometimes available). Cameras that offer one-third stops reflect the camera industry’s attempts to make it easier for you to achieve “perfect” exposures. But as you’ll learn later on, it’s rare that one always wants a perfect exposure.

ISO

The final leg of the triangle is ISO. Whether you shoot with film or use a digital camera, your choice of ISO has a direct impact on the combination of apertures and shutter speeds you can use.. To better understand the effect of ISO on exposure, think of the ISO as a worker bee. If my camera is set for ISO 100, I have, in effect, 100 worker bees; and if your camera is set for ISO 200, you have 200 worker bees. The job of these worker bees is to gather the light that comes through the lens and make an image. If both of us set our lenses at the same aperture of f/5.6—meaning that the same volume of light will be coming through our lenses—who will record the image the quickest, you or me? You will, since you have twice as many worker bees at ISO 200 than I do at ISO 100.